This catalogue is published on the occasion of the exhibition DOPO by Christian Boltanski held at Fondazione Merz from 3rd November 2015 to 31th January 2016. “Christian Boltanski lays claim to his being an artist of the twentieth century, and indeed all his work takes us into the heart of the contemporary scene. But not the updated and temporary one but the real one made of choices and events that change the meaning of individual anonymous lives that become choral and paradigmatic. It is another way to tell the story that we are. Not the impressive and official one, never that of the winners but the story of all of us, with things desired and also suffered. With minimal language and one not prone to celebration he has succeeded in talking about everything without remaining anchored to anything”. (Claudia Gioia)
This book reproduces the photographic documentation of the exhibition and it is enriched by texts by Claudia Gioia (exhibition curator), Massimo Donà (philosopher), Beatrice Merz.
Christian Boltanski (1944-2021), French painter, sculptor, photographer and filmmaker, was born in Paris. He began to make his way in the art world with painting when he was only thirteen years old, towards the end of the 1950s. In the 1960s, he began to develop a 'personal ethnology' marked by the influence of Claude Lévi-Strauss and Harald Szeemann, among others. At the same time, drawing on museology, Boltanski exhibited inventories of objects of anonymous owners (photos, clothing, bells, flowers...) creating an extraordinary hybrid between absence and presence, autobiography and collective imagination.