Giorgia Tribuiani's luxuriant literary output seems to revolve around a central point that is brought into direct focus here: the author wrote these pages gazing at the eyes of Medusa. But instead of being petrified, she has managed to creatively take us to this perturbing place. The short and dry chapters of this novel take us ruthlessly into a tragedy with no way out, namely the scene in which the suicidal person awaits impact. The lingering trauma, however, is that of the train driver, who can do nothing against the inescapable approach of the crash, in spite of all the attempts required by the intervention protocol. The lost life of the suicide creeps into the driver's life like an element nested deep within. The stark, linear chapters in which this tragedy unfolds alternate with other chapters in which we see the traumatised man trying to cope with this disruption in his life that has seeped into him.
The author accompanies her text with an excellent interview on post-traumatic stress disorder with Dr. Domenico De Berardis, psychiatrist and psychotherapist, Director of the Giulianova (TE) Mental Health Centre.
Giorgia Tribuiani was born in Alba Adriatica in 1985. She has a degree in Publishing and Journalism and a master's degree in Marketing and Communication. She has collaborated with several newspapers and edited online communication for some multinationals. She currently teaches creative writing and holds literary consultancies. She has published Guasti (Voland, 2018), Blu (Fazi, 2021), Padri (Fazi, 2022), Superstar (Tetra Edizioni, 2022) and has appeared in the anthologies Abruzzesi per sempre (Edizioni della Sera, 2019), Polittico (Caffè Orchidea, 2019) and Nuvole corsare (Caffè Orchidea, 2020). For Audino Editore she is the author of a creative writing manual on the uncanny genre, Writing the Uncanny. Models, Techniques, Strategies (2023).