Art catalogues
  • Wolfgang Laib

    texts by Federico Squarcini, Guy Tosatto, Wolfgang Laib, Klaus Ottmann
    a selection of mantra
    pages: 136
    format: 23 x 29 cm
    date of publication: February 2010
    images: 70 col.
    binding: hardback
    language: Italian/English
    isbn 9788877572431



    This artist’s book records the project of the show by German artist Wolfgang Laib at the Fondazione Merz from 9 April to 7 June 2009. A sense of the balance and harmony that governs the world and the work of man, essential guardian of the universe, lies at the base of the artist’s thinking. An installation of hundreds of small rice mountains, a line of small mountains of pollen and a great mountain of beeswax Ziggurat fill the entire space of the Fondazione. Furthermore, from 1 to 7 June, and for only seven days, the Fondazione was host to a special event that was part of the artist’s project: fortyfive Brahmins priests, from one of the most important temples of southern India, officiated at the rite of fire, which has been part of Indian tradition for millennia.

    “A long story lies behind the genesis of this event. For Documenta 1987, Mario Merz invited me to exhibit a vase of pollen on a spiral table. That was the beginning of a beautiful and very precious friendship between two artists with – I believe – different lives, different ages, but sometimes a very similar way of looking. We were both fascinated, something that has much enriched our lives… So it will be much more than an exhibition of different objects and works; not an exhibition for an individual artist, it will concern the whole world, the universe and also our very existence. I have had this dream for the whole of my life, since when I tried to be a doctor, realising very quickly that that meant only dealing with the physical body, whereas our life and existence cannot be reduced simply to matter. The pollen recalls the beginning and creation; the rice mountains and the beeswax Ziggurat (pyramid and steps) nourishment and the bond of the sky with the earth; in the end, fire recalls destruction and the possible renewal of the world, the transformation of what is physical to a new cycle, to a state of change” (Wolfgang Laib).

  • Luisa Rabbia. In viaggio sotto lo stesso cielo

    texts by Chiara Bertola, Giorgio Guglielmino,Beatrice Merz, Luisa Rabbia
    pages: 160
    format: 14,5 x 21 cm
    date of publication: January 2010
    images: 50 col., 17 b/n
    binding: hardback
    language: Italian/English
    isbn 9788877572448



    This catalogue is published on the occasion of the show of the Italian artist Luisa Rabbia at the Fondazione Merz from 19 June to 20 September 2009. The exhibition evolves around three central works, consisting of a video and two installations, with traveling as the main theme, through an intimate, imaginary and surreal journey. Luisa Rabbia combines her own world of loneliness, fear, anxiety and personal memories with images taken from other people’s lives. The result is a sort of diary, a narrative that develops through a net of drawings: endless roots, fragments of the artist’s work and clips from her previous videos that are all like blood vessels of a life journey. The video Travels with Isabella. Travel Scrapbooks 1883-2008 was conceived during the artist’s residency at the Isabella Stewart Gardner Museum in Boston. Luisa Rabbia was inspired by the photographs collected by Isabella Stewart Gardner (1840-1924), during her journey through China in 1883, to create an entrancing animated trail: a scenario of images from ancient China on which she composes her personal diary made of drawings, video footage from her previous works and works from the museum collection. In the installation The Following Day, No One Died, placed on one of the large walls of the Fondazione, the porcelain marks interact with her father’s ECG as if extending the past into the present, to let that distant moment in time live on. Finally, among the main works is Under the Same Sky, based on the encounter between the different cultures emerging nowadays in Turin: Italian, Moroccan, and Rumanian. It is a photographic work that blends the images of these three different countries to create an imaginary landscape on which the artist draws, according to her interpretation of the word “immigration” and to her personal experience as “immigrant” in the USA. All photographs are downloaded from the Web, which has actually become the ultimate source of information for all travelers.

    From January 23 to February 27 2010, the exhibition will be hosted by the Fundación Proa in Buenos Aires (Argentina).

  • Speranze & dubbi. Arte giovane tra Italia e Libano | Gabriele Basilico. Beirut 1991

    fondazione merz i quaderni.4
    unpublished writing by Mario Merz
    pages: 160
    format: 14,5 x 21 cm
    date of publication: December 2009
    images: 65 col., 21 b/n
    binding: paperback
    language: Italian/English
    isbn 9788877572424


    This is the fourth publication belonging to fondazione merz i quaderni series and it presents the exhibition hopes & doubts (curated by Costantino D’Orazio) held at Fondazione Merz from 22 January to 1 March 2009. Eight Lebanese and eight Italian artists showcase their work in both Beirut (Lebanon) and Turin (Italy). The cutting edge body of work will focus on daily life, translating the special emotional condition of the Lebanese people into paintings, photography, video and installation. The project hopes & doubts aimed to offer a concrete possibility of exchange between the artists of the two Mediterranean countries. In Beirut the show took place in the Dome City Center from 20 to 23 December 2008.

    At the same time as the exhibition hopes & doubts the Fondazione Merz presented the solo show of Gabriele Basilico, Beirut 1991, which includes about twenty photographs taken from the great photographic service shot in Beirut in 1991 at the end of the civil war that devastated the country. The result is a photographic document that intends to reflect on what remains of a city after the conflict of war and how it prepares to ‘start again’. The photographer’s eye portrays places with reserve and respect, with a clear, precise way of looking and an attention to detail that reveals the architectural training of this Milanese artist. The Fondazione Merz has chosen to stage two exhibitions at the same time with the aim of ‘narrating’ a place where a new generation of artists works that has grown up in the period between the destruction and the reconstruction of the city of Beirut, a moment that the lens of Gabriele Basilico has accurately captured.

    Artists: Gabriele Basilico, Elisabetta Benassi, Ginou Choueiri, Elisabetta Di Maggio, Michael Fliri, Francesco Gennari, Pascal Hachem, Lina Hakim, Joanne Issa, Zena el Khalil, Marzia Migliora, Randa Mirza, Giuseppe Pietroniro, Luisa Rabbia, Marwan Rechmaoui, Rima Saab, Andrea Salvino.

  • Matthew Barney. Mitologie contemporanee

    texts by Matthew Barney, Arthur C. Danto, Gian Luca Favetto, Richard Flood, Olga Gambari
    pages: 200
    format: 14,5 x 21 cm
    date of publication: May 2009
    images: 80 col.
    binding: hardback
    language: Italian/English
    isbn 9788877572356


    The book collects the multi-faceted project that Matthew Barney developed in 3 days in Turin and documents the different parts of it: the solo exhibition at the Fondazione Merz (30 October 2008 - 11 January 2009), a workshop with the students of the Accademia Albertina di Belle Arti and University of Turin, a public meeting between the artist and Richard Flood, opened by a paper written for the occasion by Arthur C. Danto, and a series of films screened at the Cinema Massimo.

    Matthew Barney is one of the most important American artists of the new generations. In the international survey he is an original and many-sided author, his work crosses many cultural branches – sculpture, photography, architecture, design, fashion, cinema, music etc. – creating a very special artistic language. His conceptual and aesthetic work mixes parts of all mithologies produced in the history of mankind, from the ancient and classical until the most anomalous and mysterious ones. His hybrid and omnivore artistic research is a sort of great and new cosmogony. His movies are famous all over the world: the epic Cremaster Cycle, Drawing Restraint and De Lama Lamina.

    Matthew Barney was born in San Francisco in 1967 and was raised in Boise, Idaho. He attended Yale University, receiving his BA in 1989, then moved to New York City, where he lives today. From his earliest work, Barney has explored the transcendence of physical limitations in a multimedia art practice that includes feature-length films, video installations, sculpture, photography, and drawing. In his first solo exhibitions, Barney presented elaborate sculptural installations that included videos of himself interacting with various constructed objects and performing physical feats such as climbing across the gallery ceiling suspended from titanium ice screws. In 1992, Barney introduced fantastical creatures into his work, a gesture that presaged the vocabulary of his subsequent narrative films. In 1994, Barney began work on his epic Cremaster cycle, a five-part film project accompanied by related sculptures, photographs, and drawings. He completed the cycle in 2002. Matthew Barney: The Cremaster Cycle, an exhibition organized by the Guggenheim Museum of artwork from the entire project, premiered at the Museum Ludwig, Cologne, in June 2002 and subsequently traveled to the Musée d’Art Moderne de la Ville de Paris in October 2002 before its presentation in New York.

  • Gino De Dominicis alla Fondazione Merz

    fondazione merz i quaderni.3
    pages: 48
    format: 15 x 21 cm
    date of publication: May 2009
    images: 42 col.
    binding: paperback
    language: Italian/English
    isbn 9788877572394


    This third quaderno is dedicated to Gino De Dominicis, as Andrea Bellini writes “can be considered one of the most emblematic and mysterious figures in the history of Italian art in the post-WWII period. He is still in many ways something of a mystery, surrounded by a legendary aura. De Dominicis was and remains an isolated case, a complex personality who always turned his back on the logic of groups and movements, cultivating a superior, noble, and solitary notion of artistic creation.”

    i quaderni is a series of slender books aiming to inform the public of all the activities promoted by the Torinese institution. Each issue is based upon an event of particular importance – to be documented with images in a manner that is better and more comprehensive than the eventual catalogue – and so recreate the entire season of which it is a part, recording the gossamer threads the things of art follow. Threads that echo an interrupted dialogue with Mario Merz, with his works that are preserved and presented by the fondazione, and with his writings, an unpublished selection of which will be presented in each issue of i quaderni. Every quaderno will be rounded off with a section of Technical notes, with the lists of works exhibited, and a Chronology presenting, in synoptic tables, the complex itinerary packed with performances, readings, didactic activities, congresses, planned by the scientific committee which, alongside its president, Beatrice Merz, comprises Richard Flood (The New Museum, New York), Dieter Schwarz (Kunstmuseum, Winthertur) and Vicente Todolí (Tate Modern, London).


    texts by Elena Volpato
    pages: 192
    format: 21 x 28 cm
    date of publication: March 2009
    images: 90 col.
    binding: paperback
    language: Italian/English
    isbn 9788877572363


    This book documents the exhibition, chronologically divided in two tranche, which will be held at GAM Galleria Civica d’Arte Moderna e Contemporanea di Torino (1961-1985 from 25 October 2008 to 6 February 2009; 1985-2008 from 6 March to 5 May 2009). The exhibition illustrates the continual emergence of photographic forms in the history of moving images. In the 1960s and 70s, which were characterised by structuralist cinema and conceptual video, still photography represented the ultimate achievement in the analysis of time. In later years, photography became a universal archive of historic time for auteur video and cinema and, by browsing through the shelves of this art form, one is taken on a journey through both past and future. As from the 1980s, the frozen time of photography was a vision in slow motion, indefinably tending towards stasis, and the ethereal substance of memory began to be released into the world of moving images. And it is precisely in the way they reconsider memory that more recent works appear once again to relate to the language of photographs. It is as though they contained the means to record, one step at a time, the irreversible dissipation of meaning and energy that is released over time, within each image, each frame, each screen. The works on show have been selected from the GAM collections, and five of them are taken from the latest 2007-08 acquisitions, which are being shown for the first time in the museum.

    Artists: John Baldessari, David Claerbout, Jem Cohen, Guy Debord, Jimmie Durham, Harun Farocki, Hollis Frampton, Cyprien Gaillard, Gilbert & George, Chris Marker, Luigi Ontani, Giulio Paolini, Robin Rhode, Michael Snow, Simon Starling, Bill Viola, T.J. Wilcox