Ultralibri
  • STANZE | QOLALKA

    Ultralibri
    texts by Gianluca e Massimiliano De Serio, Suad Omar Sheikh Esahaq, Andrea Del Boca, Luca Ciabarri, Gabriele Proglio
    pages: 247
    format: 16,5 x 22 cm
    date of publication : 2019
    images: 102
    binding: softbound
    language Italian/Somali
    isbn 9788877572783



    €28,00

    The second book in the Ultralibri series, Stanze in a certain way narrates eight years in the creative evolution of the duo of artists and directors Gianluca and Massimiliano De Serio, who recently presented SPACCAPIETRE, the only Italian title in competition in Venice Days at the Venice Film Festival 2020.

    The book offers an experience full of theatrical, poetic and cinematographic projects dedicated to the Somali lands and to the critique of Italy’s colonial past, linking old and new subjugations. The volume includes, among others, a contribution by Andrea Del Boca and historical essays by Luca Ciabarri and Gabriele Proglio.

     

    Gianluca and Massimiliano De Serio were born in Turin in 1978. They have worked together since 1999 as visual artists, screenwriters and film directors. Over the years they have directed short films, documentaries and produced installations that have participated in the most important national and international film festivals and various exhibitions.

  • Beirut. Day 41

    Ultralibri

    pages 304
    format 16,5 x 22 cm
    date of publication: 2019
    binding: softbound
    language Italian/English/Arabic

    isbn 9788877572752



    €35,00

    The book that opens the new Ultralibri series – volumes that are on the borderline between essay, catalogue and artist’s book, going beyond the notion of book itself – represents the sequel to the exhibition of the young Lebanese artist and activist, Zena el Khalil, held in Beirut in 2017. The exhibition, hosted in the emblematic Beit Beirut on the green line in the city centre, expanded to include a large number of people and communities in 40 days of workshops and meetings, projecting the artist’s work onto the entire city, creating an open, inclusive and circular proposal starting from a symbolic place of the Lebanese civil war. The book not only collects that experience but, in the spirit of the artist, widens the discourse and the possible proposals for the care of a city and an entire people, towards a forty-first day. The book contains texts by the artist and Healing Lebanon, a collective author, a true community that is the result of experiences and dialogue.

     

    Zena el Khalil, born in London in 1976, lives in Beirut. A visual artist, writer, performer, cultural activist and yoga instructor, she works with themes focused on creating a culture of peace and reconciliation. www.zenaelkhalil.com