Writings by artist
  • GIULIO PAOLINI

    Suspense. Breve storia del vuoto in tredici stanze

    pages: 288
    format: 24 x 24 cm
    date of publication: March 1988
    binding: paperback
    images: 188
    language: Italian
    isbn 98877570083



    €20,66

    “Just as we saw a moment ago, even before opening it, this volume offered a shape and a colour: a green square immediately evokes a gaming table and it is here that I am now going to arrange the various and changing faces of a solitaire”. Giulio Paolini, author of this artist’s book, guides the reader through his works from the beginning, introducing him to a more “strictly personal” knowledge of his enigmatic work. In addition to a rich bibliography, the book includes historical texts by the artist and others that have never been published before.
  • FRANZ MARC

    Scritti 1910-1915

    pages: 155
    format: 16,5 x 22,5 cm
    date of publication: November 1987
    images: 9 col.
    binding: paperback
    language: Italian
    isbn 97888775700156



    €12,91

    This collection includes the writings of the German artist, born in Munich in 1880, who founded Der Blaue Reiter with Kandinsky around 1911. The writings, arranged chronologically from 1910 to 1915, comprise articles and notes on art theory and politics, texts that appeared in Der Blaue Reiter Almanac and writings from the war period in which Marc was a volunteer participant from 1914 to March 1916, the date of his death. These writings are a very important key to understanding the panorama of European art in the age of the avant-garde, the fundamental climate for the artistic development of our century. Permeated with important issues (the rejection of Renaissance perspective, the importance of synthesis and constructiveness in composition, the expressive value of Kandinsky and the ‘savages’, the relationship between art and science, popular art and the visual value of art, the transcendent meaning of war, the future of Europe), the narrative is always oracular and visionary. The deep philosophical content, which links in with Nietzsche and Schopenhauer, the polemic with Tolstoy’s aesthetics and the intensity of expression make it meaningful and moving. The selection is completed by a commemoration written by Wassily Kandisky on the occasion of the twentieth anniversary of the author’s