Romeo Castellucci and Alfredo Jaar

Echos n.1

Echos

edited by Sergio Ariotti

pages: 92
format: 18 x 25 cm
publication date: March 2025
package: paperback
languages: Italian/English
isbn 9788877573209



€12,00

teatro

Within the Echos project, a pas de deux between visual art and theatre, the two artists, Alfredo Jaar and Romeo Castellucci, one for each of the two languages, find themselves answering the same questions, as if in front of an imaginary mirror. The structure of the double, of the mirror in fact, reflects and ideally crosses the different looks, approaches and results that find - not surprisingly - surprising commonalities. Alfredo Jaar and Romeo Castellucci, leading figures in contemporary creation, are the protagonists of the first volume.
(On the occasion of the Festival delle Colline Torinesi in world premiere currently available on the hopefulmonster website and in the bookshop of the Fondazione Merz in Turin.)

 

Romeo Castellucci, director, creator of sets, lighting and costumes, is among the most significant authors of contemporary theatre. A graduate in painting and set design from the Accademia di Belle Arti in Bologna, in 1981 he co-founded the Socìetas Raffaello Sanzio. In 2005 he was director of the theatre section of the Venice Biennale and in 2008 he was associate artist of the 62nd edition of the Festival d'Avignon. Winner of the Golden Lion for Lifetime Achievement in 2013, the following year he was awarded an honorary degree in music and theatre by the University of Bologna. Among his most recent creations: the plays The Third Reich (2020), Bros (2021), the direction of the operas Pavane für Prometheus IX (2021) and Bluebeard's Castle (2022), the public action Milan (2021) and the installation Tomorrow (2022).

 

Alfredo Jaar is a Chilean artist, architect and filmmaker who lives and works in New York. He studied architecture during the dictatorial regime in Chile and moved to New York in 1982. His work focuses on socio-political issues, the semiotics of images, themes of utopia and failure. He has participated in the Venice Art Biennale (1986, 2007, 2009, 2013), the São Paulo Biennale (1987, 1989, 2010, 2021) and Documenta (1987, 2002). He received the Hiroshima Art Prize in 2018 and the Hasselblad Award in 2020. His works have been exhibited worldwide.

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