The catalogue documents the exhibition held to celebrate the hundredth anniversary of Francesco Menzio’s birth at the Accademia Albertina delle Belle Arti in Turin from 17 December 1999 to 13 February 2000. The exhibition, curated by Rolando Bellini, traced the entire life and work of one of the major protagonists of the group of the “six painters of Turin”, starting with a selection made by the curators in agreement with the artist’s children of self-portraits the artist painted throughout his life. In addition to a rich iconographic documentation, the volume includes texts, a critical biography and a focus on Menzio’s activity as a teacher at the Academy.

A leading figure on the contemporary art scene, Giulio Paolini has since the beginning of the 1960s undertaken constant and unceasing research into the complex interweaving of relationships that take place in the sphere of visual experience and pictorial practice, between image and gaze, artist and spectator, past and present, time and space. The exhibition that this catalogue accompanies presents the figures and imaginative territories most assiduously frequented by the artist through forty years of work. In addition to a rich set of images, the catalogue includes a critical text by Pier Giovanni Castagnoli, an essay by Daniel Soutif, texts and projects by the artist, an essay by Maddalena Disch, another by Maurizio Fagiolo dell’Arco, a photographic essay by Paolo Mussat Sartor, a biographical note by Daniela Lancioni and biographical and bibliographical apparatus by Maddalena Disch.

This volume is the catalogue of the first solo exhibition dedicated to Calzolari by Bologna, the artist’s hometown, in a public space, from 14 March to 2 May 1999. Edited by Bruno Corà, with texts by the curator, by Mario Bertoni and Calzolari himself, the book documents the historical phases of the artist’s work and the installation at the Villa delle Rose, consisting largely of works specially conceived for the space. The book is completed by an extensive biography and bibliography.

Catalogue of the artist’s solo exhibition at the Pecci Museum in Prato, curated by Bruno Corà, from 31 October 1997 to 25 January 1998, the volume – which comprehensively documents Salvadori’s artistic career from the 1970s to the 1998 – opens with an essay by Bruno Corà and is followed by critical contributions by Bettina della Casa, Giuseppe Leonelli, Giorgio Maragliano, Pierluigi Tazzi and Tommaso Trini, among others, a poem by Barouh Benvensite and completed by the biographical and bibliographical apparatus edited by Sally Benjamin Salvadori.

This catalogue and book was published on the occasion of Giuseppe Penone’s travelling solo exhibition, organised in three venues (Nîmes, 6 June - 7 September 1997, Tilburg, 11 October 1997 - 8 February 1998, Trento, 6 March - 3 May 1998) by the Carré d'Art - Musée d'Art Contemporain de Nîmes, the De Pont Foundation for Contemporary Art of Tilburg and the Galleria Civica d’Arte Contemporanea of Trento. It includes a large number of reproductions of works conceived throughout the career of the artist from Tilburg, as well as texts by the artist and critical contributions by Guy Tosatto, curator of the exhibition, and Georges Didi-Huberman.

This catalogue and book was published on the occasion of Giuseppe Penone’s travelling solo exhibition, organised in three venues (Nîmes, 6 June - 7 September 1997, Tilburg, 11 October 1997 - 8 February 1998, Trento, 6 March - 3 May 1998) by the Carré d'Art - Musée d'Art Contemporain de Nîmes, the De Pont Foundation for Contemporary Art of Tilburg and the Galleria Civica d’Arte Contemporanea of Trento. It includes a large number of reproductions of works conceived throughout the career of the artist from Tilburg, as well as texts by the artist and critical contributions by Guy Tosatto, curator of the exhibition, and Georges Didi-Huberman.