This book documents the exhibition "Messico famigliare / Domestic Mexico" held at the Fondazione Merz in Turin from 19 January to 28 February 2010. The title, "Domestic Mexico", is evidently a play on words (in the original Italian Messico/lessico) referring to Natalia Ginzburg’s Domestic Vocabulary, published in 1963 and which centered upon the expressed internal relationships of families. Mocellin and Pellegrini, through their own parenting experience, take a look at the family at the present time and its paradoxes: it is no longer considered to be a closed entity, but it’s difficult to think of it as open; it still functions as a traditional screen in the name of which to remedy conflicts and organize consensus. The artists weave fragments of their family memories together with the experience of being new adoptive parents and the widespread diffidence towards a family that proposes to differ from the scheme of the classic patriarchal model. Joining the personal with the political has raised discussions about the concept of neutrality in the lives of men and women, claiming personal responsibility as one of the factors necessary for renewing social relationships. The artists examine the nature of their “mixed” family within the country’s social contest, which seems to show a growing fear and a general mistrust for diversity. The photos published in the catalogue are stories in and of themselves, at times accompanied by recorded texts, and where the complex link of affective structures emerges.